KENNESAW, Ga. | Feb 3, 2025
Fresh take on timeless piece still seems relevant in a complicated world
What happens when people with power go unchecked, especially when that power is driven by desires and emotions? Is morality lost? What are the repercussions of tyranny? ɫ’s Department of Theatre and Performance Studies (TPS) will examine those questions as they present running Feb. 13-23 at the Stillwell Theater. TPS Faculty and Director Marlon Andrew Burnley says that the play “explores the destructive power of ambition, the fragility of the human soul, and the consequences of choices made in pursuit of power.”
A Brief Overview
General Macbeth receives a prophecy from a trio of witches that one day he will become king. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the throne for himself. He is then wracked with guilt and paranoia. Forced to commit more and more murders to protect himself from enmity and suspicion, he soon becomes a tyrannical ruler. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of madness and death.
A Fresh Take
believes that Shakespeare’s plays remain vital because they speak to timeless aspects of the human condition. Burnley utilizes his extensive Shakespearean background to develop a fresh take on KSU’s production as he places the players in a reimagined world in Seneca Village, a thriving Black community in 19th century Manhattan that was destroyed to make room for Central Park. He explains that they are “not only reflecting on what was lost, but also envisioning a society that could have been… In ‘Macbeth,’ we see the consequences of ambition, guilt, and power, themes that resonate deeply within this reimagined context.”
Audience Resonance
TPS faculty and Artistic Director adds that “Marlon has done a beautiful job of setting the show in a world that connects the students and audience to the material. The world is a very complicated place right now, and many have big feelings in the wake of various national issues. When people feel big feelings, they do things out of character, so that is very relatable.”
Madness Manifested Musically
The turmoil felt from Macbeth and Lady Macbeth is intensified by original music composed by Okorie “OkCello” Johnson. Burnley explains that the Atlanta cellist bases his music off . It’s a perfect partnership since Lady Macbeth and Macbeth both play violin, and they play on top of Johnson’s cello music. “Together, these instruments heighten the suspense and horror side of the play; it is madness manifested musically! Hearing the music and seeing the production at the same time is really beautiful,” says Burnley.
A Strong Ensemble
Scenic designer and TPS faculty worked with student assistant Lauren Brice to cultivate the set design of the futurism, the “what if.” Guest artist designed the costumes, and students Alix Tejedor and Ameer Hashem designed sound and light, respectively. Student Macy Cardwell has a dual role: she performs in the show and leads the student dramaturgy team, including the educational materials in the lobby and online. “It is really a well-rounded team of guest artists, faculty, and students,” says Morgan. “We have built a very strong ensemble; the students have been amazing, taking this wild idea and running with it,” adds Burnley.
Double, Double Toil and Trouble
Burnley hopes the production resonates with the audience, sparking “deep reflection on the nature of ambition, guilt, and the power of choice.” But it is also a lot of fun, especially for those who like magic, witches, and action…because, as Morgan puts it: “It is theatre magic, and there will be blood! There will be fights!”
“Mٳ” will be performed at the Stillwell Theater on the ɫ campus Feb. 13-23. Buy or call 470-578-6650.
Check out the costume sketches, below:
--Kathie Beckett
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